Stephen Grossman

Artist Statement

The art I make is concerned with the human body’s experience of constructed environments. I explore how we use the primary senses and more pointedly the subconscious in reaction to conditions such as enclosure, proximity, and precipice. I focus on constructed spaces because they represent a prior human endeavor; its intent, culture and philosophy. When a person moves through or occupies a built environment they partake in a form of dialog with history, which introduces a cerebral layer to the otherwise visceral experience. Each individual processes an environment through their own unique filters – physiology, psychology, memory and personal history. The individual is alone, even isolated in their consciousness while bound to history, to society through the commonality of these lived experiences. I think this duality in human consciousness is at the root of our existential dilemma – we are solitary and social beings.

Stephen_Grossman_The sounds in my head and in the air_plaster_2023_ 19" x 32" x 2"

Bio

Stephen Grossman is a visual artist working primarily in sculpture, drawing and painting in New Haven, CT. He was trained as an architect and received his BArch from The Cooper Union. His work focuses on the movement of the human body in relationship to architectural space. He has been exhibited at The Drawing Center, Aldrich Museum, Real Art Ways, Artspace New Haven, New York Studio School Dumbo Sculpture Studio, Weir Farm Trust Gallery, Schweinfurth Art Center, Mt Ida College, Giampietro Gallery, Kenise Barnes Fine Arts, Garage Gallery, Ejecta Projects and other venues. In 2023 he was an artist in residence as a fellow at the Ballinglen Foundation in Ballycastle, Ireland. In 2020 he was an artist in residence at Streamways in Rockingham, VT. In 2006 he was a visiting artist at the Weir Farm Historic Trust. In 2002 he received an NEA grant for his public art project “Fencing”. He has taught visual arts at UNH and SCSU. In addition, he has curated exhibitions at the (untitled)Space gallery in New Haven including a Sol LeWitt wall drawing installation in 2001. He served on the board of Artspace New Haven from 2002 to 2009, (as president from 2004 to 2007).

Frank Oudeman

Artist Statement

My work as a photographer is driven by the question of how to capture meaningful thought and experience in a single, still image. I push against photography’s stillness, fixedness and instantaneity, testing the medium’s conventionally defined boundaries. My recent images are explorations in tilting, tripping and arresting vision – as my camera sees it - to let it float freely again. Slicing up the given one moment and singular point-of-view of photography, I propose a fractured discontinuity of many moments and many points-of-view. These are lens-based images shot in a landscape, made with and in the camera through a process of multiple exposure. As a means to fragment light, surface and space, I use multiple exposure to visualize a scattered succession of moments and to suggest the element of time as a unity disassembled.

FRANK OUDEMAN_FLOAT-FRACTURE#3-C-PRINT-2023-40X50

Bio

Frank Oudeman is a Dutch visual artist and photographer living and working in Brooklyn, New York. His current work challenges photography’s conventional boundaries, testing and resisting the medium’s stillness, fixedness and instantaneity. Conceiving and constructing an array of disruptive devices around the lens of his camera, Oudeman seeks to complicate and elongate the singularities of time and point-of-view inherent to photography itself. Recent images explore the tilting, tripping and slicing of vision as the camera sees it. arresting vision to let it float freely again. Oudeman earned his MFA from Bard College Milton Avery Graduate School of the Arts.  His video work was included in the 2016 Venice Biennale for Architecture and his photographs feature regularly in The New York Times, Architectural Digest, A+U and Frame among numerous national and international publications. He is the recipient of awards from the European Cultural Centre, Venice, Italy, Fonds voor Beeldende Kunsten’s Emerging Artist Prize, The Netherlands and The Netherland-America Foundation Fellowship. Recent residencies include MacDowell, BMAC Turks & Caicos residency and The Liljestrand House-Foundation, O’ahu.

frankoudeman.com


Cecile Chong

Bio

Cecile Chong was born in Ecuador to Chinese parents and grew up in Quito and Macau. Her public art installation EL DORADO - The New Forty Niners was installed in the five boroughs of New York City (2017-2022). Fellowships and residencies include Surf Point Foundation Residency, Dieu Donné Workspace, BAC - Brooklyn Arts Fund, Asian Women Giving Circle, NYSCA, LMCC Creative Engagement, Urban Field Station, The Hispanic Society’s Vilcek Artist Research Fellowship, Block Gallery/Bronx Museum, BRIC Media Arts, Joan Mitchell Center, Wave Hill Winter Workspace, Jerome Foundation Travel and Study Grant, and the Joan Mitchell Foundation MFA Grant. Solo exhibitions include Kates-Ferri Projects, Sugar Hill Children’s Museum, Selenas Mountain, ICFAC at Pinta Miami, Smack Mellon, Kenise Barnes Fine Art, Five Myles, BRIC House, Emerson Gallery Berlin, and Honey Ramka. Chong’s work is in the collections of El Museo, Museum of Chinese in America, The Rockefeller Foundation, The Center for Book Arts, Bryn Mawr Hospital, Citibank Art Advisory, and private collections internationally. She received an MFA from Parsons, an MA in education from Hunter College, and a BA in Studio Art from Queens College.

other Nature - Cicadian Rhythm, 2021 Sugar Hill Children's Museum Mixed Media on steel fence 34 x 18 x 14 ft Soundscape by Michael Paul Britto

Bio

Cecile Chong was born in Ecuador to Chinese parents and grew up in Quito and Macau. Her public art installation EL DORADO - The New Forty Niners was installed in the five boroughs of New York City (2017-2022). Fellowships and residencies include Surf Point Foundation Residency, Dieu Donné Workspace, BAC - Brooklyn Arts Fund, Asian Women Giving Circle, NYSCA, LMCC Creative Engagement, Urban Field Station, The Hispanic Society’s Vilcek Artist Research Fellowship, Block Gallery/Bronx Museum, BRIC Media Arts, Joan Mitchell Center, Wave Hill Winter Workspace, Jerome Foundation Travel and Study Grant, and the Joan Mitchell Foundation MFA Grant. Solo exhibitions include Kates-Ferri Projects, Sugar Hill Children’s Museum, Selenas Mountain, ICFAC at Pinta Miami, Smack Mellon, Kenise Barnes Fine Art, Five Myles, BRIC House, Emerson Gallery Berlin, and Honey Ramka. Chong’s work is in the collections of El Museo, Museum of Chinese in America, The Rockefeller Foundation, The Center for Book Arts, Bryn Mawr Hospital, Citibank Art Advisory, and private collections internationally. She received an MFA from Parsons, an MA in education from Hunter College, and a BA in Studio Art from Queens College.

https://www.cecilechong.com/