Sonya Hayden

Artist Statement

A lifelong scribbler, my childhood creations ranged from the silly “Reindeer Droppings” song at age seven to a comedic middle school play about a disillusioned superhero in therapy. Humor still infuses my plays and musicals, but now serves to open audience members’ hearts and minds to more serious themes—such as a penguin desperate to convince Congress to combat climate change in my play Cassie Goes to Congress. My work also explores forces that constrain, shape, and liberate complex female characters. For instance, in my play There’s Always Tomorrow, protagonist Harper longs to venture beyond her conservative Southwest Virginia town but feels held back by marriage and motherhood as the years of her life slip away. I’m driven to write for theater by its power to inspire empathy, bring people together in community to share laughter and sorrow, and at its best, provoke thoughtful conversation far beyond the performance itself.

Sonya Hayden_Rehearsal of my play Cassie Goes to Congress_2022_featuring Nadia Diamond at New Perspectives Theatre


Bio

Sonya Hayden (she/her) is a playwright, composer, lyricist, and librettist originally from Virginia, now based in New York. Her work includes the plays CASSIE GOES TO CONGRESS (New Perspectives Theatre), THERE’S ALWAYS TOMORROW (Finalist, Tennessee Williams Festival Play Contest), JUST LIKE MAGIC (Little Fish Theatre), THE CLUMPS (Pittsburgh New Works Festival, MainStage Series), and BAUBLES, BANGLES, AND BANKRUPTCY (ATHE New Play Development Workshop); musicals WANDA DOES THE WATER CYCLE (Lincoln Center Out of Doors Festival) and THE LUCKIEST GIRL (Princeton University); and songs “If I Didn’t Know Better” (Winner, Lotte Lenya Competition Songbook, $1,500 award) and “Snow One Else for Me” (composer, Playdate Theatre Holiday EP). She is a member of the BMI Advanced Musical Theatre & Librettists Workshops, New Perspectives Theatre’s Full-Length Play LAB, the New York Songwriters Alliance, the Dramatists Guild, and ASCAP. She was previously a member of Maestra Music’s Mentorship Program (mentor: Broadway Music Director Mary-Mitchell Campbell), the Recording Academy’s Musical Theater Mentorship Program (mentor: Grammy Award-winning Music Producer Kurt Deutsch), and the Princeton University Triangle Club Writers Workshop (Milton Lyon Award for Outstanding Writing). She is the Co-Director of the Maestra Music’s Mentorship Program. Master’s in Playwriting, University of Edinburgh; A.B. Music, Princeton University. www.sonyahayden.com

www.sonyahayden.com