Artist Statement
I see my writing as a way to access and understand the unknowable past. A way to fight against the invisibility of my family's and people's experiences. For centuries, my country and my people have served as a canvas for the fantasies and stories of other people. But Tibetans have yet to tell our own stories to global audiences. As my country is wiped off maps, as our histories are revised by a colonial occupier, I feel that the creative work of storytelling is a vital terrain of struggle and remembrance. Right now, I'm particularly interested in diving into Tibetan Buddhist cosmologies within the tantric mandala teaching. Comparing that form of traditional mapping to colonial mapping techniques, I'm interested in showing the competing ideologies and strategies of different worldviews and powers.