Frida Foberg

Artist Statement

I believe in people. I believe we are complex beings with individual collections of filters, accumulated from societal structures and norms, through which we experience the world. My art practice is rooted in my own journey of unlearning and bias. I’ve seen what imposed fear does to individuals and communities, and I’ve experienced how fear and pain can be transformed instead of being transmitted. My response is to create installations/stages to provoke awareness around how we interact with ourselves, with others and with our context - works that speaks to the simple complexity of being human, of gathering around food, to have a moment to just be an authentic self. Would you sit down have a conversation with someone you never met before? Would you share a meal with them? Simply put - I think people should meet - meet others and themselves.

Frida Foberg_Constitution_Installation Performance_2017_Arts Letters and Numbers_photo Zelé Angelides

Bio

Frida Foberg is a Swedish community-oriented artist, architect and educator based in New York. She holds an MA in Architecture from Aarhus School of Architecture. Her work unfolds the space that floats between individuals, their habits, cultures and conditions. She’s driven by a deep curiosity in human interactions, how we build spaces of connection and separation. By working with temporality and spatial elements encouraging interaction and reflection, she poses questions that explore the notion of self and others. Her work has been exhibited in the Venice Biennale (Venice, Italy), Liljevalchs (Stockholm, Sweden), Arko Art Museum (Seoul, South Korea) Wilmer Jennings Gallery (NYC), Invisible Dog (Brooklyn, NY), Turn Park Art Space (West Stockbridge, MA), Base 31 (Picton, Canada), Albany Center Gallery (Albany, NY), Opalka Gallery (Albany, NY) and Arts Letters & Numbers (Averill Park, NY).

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