ARTIST STATEMENT
Everything in my paintings is directly observed from a reality I construct and set up on my studio table. An ongoing series, "within without" includes over 100 works, each made from the setup I’ve been re-arranging, staring at and painting since 2010: a thin-plastic, transparent, scotch-taped-together box placed among mirrors. I angle the setup’s reflective surfaces and funnel daylight - a volume materializes, becomes held within my box. Building a painting over months, I track every detail of this self-contained world. From the moment I start, everything is wrong. Translucent, refractive planes confuse surface from depth. Edges and forms jostle in the conflicting spatial truths each eye sends to my brain. I am enchanted with these perceptual rivalries, with the dynamically-subjective reality I witness as my painting grows. My goal is not mimetic realism; rather to hyper-attentively trace the continuous, elastic “becoming” that the phenomenal world unveils from deep inside perception.