My writing is wide-ranging and concerns the malleability of language and forms. I am interested in the intersections of the innovative and experimental with aspects race, gender, and the more-than-human world. My work is ground in inquiry, ways of knowing, and how language can (and cannot) communicate experiences felt in body and mind. Even at its most cerebral my work is centered in notions of embodiment and the lived experience of seeing and being seen. My practice and process includes photographic and video work and mixed media composition. Current projects include computational poetics and emerging technologies.
Lillian-Yvonne Bertram, Travesty Generator book jacket, print, 6x9. Cover art by Adam Pendleton.