To date, I have made a trilogy of unsentimental feature films about youth. I have always been fascinated with coming-of-age films, not as a narrative of transformation but rather as a process of disillusionment. I investigate taboos around sexuality and identity. I show audiences experiences they wouldn’t see in other coming-of-age films: the lonely moments, the surges of false confidence, and small humiliating details that are often buried in our collective memories and journeys to adulthood. With each film, I expand my method and style, but am perpetually drawn to the “in-between”. My cinema is liminal; emotionally, dramatically, spatially. It Felt Like Love mines the painful distance between childhood and the adult world, as an adolescent girl realizes her value hinges on her sexual appeal to men. In Beach Rats, a teenager living a double life spends the summer playing handball with neighborhood boys and nights meeting men on a dark beach. …. Never Rarely Sometimes Always, a teenager realizes her body is not her own when she becomes pregnant and is forced to travel to New York City for an abortion. The writing process is driven by anthropological fieldwork; documenting places and interviewing relevant subjects to help craft a story that is emotionally and dramatically credible. In directing, my work explores a subjective, more poetic form of realism and hews to the main character’s perceptions. Resisting the conventions of verité, I strive for a more poised camera that erases the presence of the filmmaker.