My practice combines movement and material in body-based sculptural forms, including masks, costumes, and other objects. By placing traditional sculptural forms within new sites, materials, and social constructs, I investigate these forms and movements within global communities to reconsider and re-envision shared spaces and performative practices. My practice raises questions about identity, politics, cross-culturalism, and the surreal characteristics of my body in the ever-changing environment. My current project features an array of objects and movements - bamboo scaffolding, industrial privacy screen, sound, and durational performance - through which I reimagine the architectural drawing my grandfather created in late 1950s and early 1960s. I draw attention to invisible labor behind each architecture by incorporating an industrial privacy screen throughout the installation as a way of repurposing a mass-produced material that is commonly used between construction zones and industrial sites.
Bio