Studio while working in residency at Shiro Oni in Onishi, Japan. The image shows work installed for the closing show, A Darker Body.
Shroud was woven as two separate panels, painted with foraged clay from the land I live on. The piece was a submission for a publication that explores the feminine as a principle of humanizing and repairing relationship, and whose proceeds support birthing justice. The piece was cut into 144 squares and distributed with the first round of printing, as an offering to unweave and unravel personal and collective conditioning.