Lora-Faye Åshuvud

Lora-Faye Åshuvud is a composer from Brooklyn who writes, performs, and produces under the moniker Arthur Moon, a project which PAPER Magazine says "is queering pop." Åshuvud was named a 2019 NYSCA/NYFA Artist Fellow in Music/Sound, a 2018 Artist Fellow at The Helene Wurlitzer Foundation, a 2017 Collaborative-Artist-in-Residence at MANCC Forward Dialogues, and has worked as a curator and radio host for WNYC's New Sounds. After the release of 2019's debut Arthur Moon full-length, NPR's Bob Boilen called the album his "favorite new discovery" on All Songs Considered: "the music is ethereal at times and spacious, with lyrics that are often visual, somewhat like an abstract painting." 

arthurmoon.com

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Arthur Moon Live at Elsewhere in 2019 / Photo by Merissa Blitz

Alexandra du Bois

The music Alexandra du Bois (Ph.D. Stony Brook University; M.M. The Juilliard School; B.M. Indiana University Jacobs School of Music) has been performed in concert halls across five continents—her travels connecting her tangibly to the countries that inform and inspire her work. Described as “an intense, luminous American composer,” (Los Angeles Times) and “a painter who knows exactly where her picture will be hung” (New York Times), du Bois writes orchestral, choral, chamber, vocal, and multi-discipline works often propelled by issues of indifference and inequality throughout the United States and the world. Born in Virginia Beach, Virginia and a Northeast coast resident for most of her life, Alexandra du Bois (b.1981) found her voice through the violin, beginning lessons at the age of two years old. After moving to rural Virginia, she began hearing music in the natural world around her. It was this intimate connection to nature, meditation, and the sea that inspired her to begin writing and underscores her work to this day. Recent commissions include those from Institut Curie, Paris, Kronos Quartet, San Francisco, and Chamber Music Society of Lincoln Center, New York City. Alexandra du Bois is currently Composition Faculty at the Longy School of Music of Bard College. Her work has been described as “offering an extraordinary interface between traditional and avant-garde” (New Zealand Herald), “an impressively sustained essay in musical melancholy,” (The Guardian), and “a stunning piece that explores the landscape of war and conflict” (BBC).

www.alexandradubois.com

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Live shot from a documentary made about a musical project of mine-- from a rehearsal of my music in Paris, March 2019.