French and Vanessa Stewart reading from my play The Honor System at Pasadena Playhouse
Alyson Mead studied at Yale, the Slade School of Art in London, NYU’s Tisch School of the Arts and with iO West, UCB and Tectonic Theatre Project. Her plays include THE FLORA AND FAUNA (Princess Grace Award finalist, Henley-Rose Award winner, Bridge Initiative New Work winner, WAM Theatre, Magnolia Theatre, Cherry Lane Theatre, Project Playwright semi-finalist), THE PULSE PROJECT (Steppenwolf, Emerald Theatre, Stage Q), THE QUALITY OF MERCY (Urban Stages Emerging Playwright Award finalist, Bay Area Playwrights Festival semi-finalist, Elephant Theatre, Skylight Theatre), THE HONOR SYSTEM (Cimientos/IATI Theater finalist, Manhattan Theatre Works’ Newborn Festival semi-finalist, Pasadena Playhouse), THE FLOWER (Kenneth Branagh Award for New Dramatic Writing finalist, NEWvember New Plays Festival finalist, Rough Writers New Play Fest), and PUNK ROCK MOM (Venus Theatre), among others. Alyson was awarded residencies and fellowships through Ragdale, the Tyrone Guthrie Centre in Ireland, Can Serrat and the Women’s International Study Center, and her work has been developed and commissioned by Kenyon Playwrights Conference, Playwrights Center San Francisco, 360repco, Ensemble Studio Theatre, and the 365 Women a Year Playwriting Project. She’s published by Original Works Publishing, and is a member of the Dramatists Guild, Ammunition Theatre’s Writing Workshop, the Ensemble Studio Theatre’s Playwriting Unit and the Los Angeles Female Playwrights Initiative.
