Artist Statement
As a fiction writer, I am drawn to semi-surreal, semi-historical stories that blend humor and pathos to examine the influence of the past on the present. I am interested in characters who are unaware, precocious, and quixotic—the charlatans, the zealots, and the independent researchers. I am keen on things like historical revisionism and generational inherited trauma, and am curious about how silence begets pain, how migration contorts selfhood, and how storytelling creates identity. Above all, I love trying to find the absurdity in the banal and the banality in the absurd. I’m inspired by contemporary authors like Rivka Galchen, Mariana Enríquez, Samanta Schweblin, and Ottessa Moshfegh, as well as late giants like Kurt Vonnegut, Roberto Bolaño, Franz Kafka, and Jorge Luis Borges. I also draw on the literary legacy of the testimonio in Latin America, the work of journalists like Tina Rosenberg, and the theory of scholars like Guillermo O’Donnell.