Paul Singh

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Paul Singh earned his BFA in Dance from the University of Illinois, USA. He has danced for Gerald Casel, Jane Comfort, Risa Jaroslow, Will Rawls, and currently dances for Douglas Dunn, Christopher Williams, Faye Driscoll. He was featured in the inaugural cast of Punchdrunk theater company’s American debut of “Sleep No More”. He was a dancer in Peter Sellars’ new opera “The Indian Queen.” Most recently he danced for Peter Pleyer (with collaborators Meg Stuart, Sasha Waltz and Jeremy Wade) in a large-scale improvisation work in Berlin. Paul has had his own work presented at the Judson Church, New York Live Arts, Joe’s Pub, Dixon Place, La Mama E.T.C, and in 2004 his solo piece “Stutter” was presented at the Kennedy Center. Paul has taught contact improvisation around the world during CI training festivals in Israel, Spain, Ukraine, Germany, France, Finland and India. He currently teaches for Movement Research, Sarah Lawrence College, and The Juilliard School. While in NYC, he continues dancing and choreographing for his company, Singh & Dance.

Art Seed at Marble House Project

Steven Snowden

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The music of Steven Snowden has been described as “Beguiling… combining force with clarity” (San Francisco Classical Voice), “Wonderfully dynamic” (Interlude Hong Kong), “Rustic, red-blooded” (New Music Box), “Marvelously evocative”, (Cleveland Plain Dealer), and “The most wildly intriguing sight and sound I have experienced at a concert” (The Boston Musical Intelligencer). Writing music for dance, theater, multi-media installations, and the concert stage, his work often deals with concepts of memory, nostalgia, and the cyclic nature of historical events as they pertain to modern society. While his musical influences are deeply rooted in bluegrass, folk, and rock, he utilizes non-traditional techniques and processes to compose works that don’t squarely align with any single genre or style. A native of the Ozarks countryside, he began studies in music composition in 2002 and received degrees from Missouri State University, University of Colorado at Boulder, and University of Texas at Austin. In 2012-2013 he was a Fulbright Scholar in Portugal, researching the implementation of motion tracking technology as a means to facilitate collaboration between music and dance. In 2013-2014, he was a visiting professor and composer in residence at the Hong Kong University of Science and Technology and is the co-founder/director of the Fast Forward Austin Music Festival. He currently works as a freelance composer in Boston and is on an eternal quest to make the perfect breakfast taco. 

http://www.stevensnowden.com

Art Seed at Marble House Project

Trine Søndergaard

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Trine Søndergaard, Untitled Mirror #6, archival pigment print, 2015, 120x120cm

Trine Søndergaard (b. 1972) is a Danish photography-based visual artist. Søndergaard lives and works in Copenhagen, Denmark. Trine Søndergaard’s work is marked by a precision and a sensibility that co-exist with an investigation of the medium of photography, its boundaries and what constitutes an image. Layered with meaning and quiet emotion, her works are highly acclaimed for their visual intensification of our perception of reality. She has been awarded the Albert Renger-Patzsch Prize and has received numerous grants and fellowships, including a three-year working grant from the Danish Arts Foundation. Trine Søndergaard’s work has been shown in solo and group exhibitions around the world and is wellrepresented in museum collections, for instance Museum of Fine Arts Houston-USA, MUSAC-Spain, Gothenburg Museum of Art-Sweden, The National Museum of Norway, The Israel Museum, Maison Européenne de la Photographie-France, and AROS-Denmark. Trine Søndergaard has published books with Steidl, Hatje Cantz, Hassla Books and FabrikBooks. She has also exhibited and published extensively in collaboration with the Danish artist Nicolai Howalt. Trine Søndergaard is represented by Martin Asbæk Gallery, Copenhagen, and Bruce Silverstein Gallery, New York.

http://trinesondergaard.com

Art Seed at Marble House Project

Ivan Talijancic

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Ivan Talijancic, director QUARTET v4.0 Live performance/installation premiere: Abrons Arts Center, February 2010 photo credit: Tasja Keetman

Ivan Talijancic is a multidisciplinary time-based artist: director, choreographer, visual and graphic designer, video- and film-maker, as well as a performing arts producer, curator and journalist. He is a founder and artistic co-director of New York City based WaxFactory (waxfactory.nyc). Directing highlights for the company include: Sarah Kane’s CLEANSED; and ...SHE SAID (based on Marguerite Duras) both of which premiered in co-production with Cankarjev Dom (Ljubljana, Slovenia) as well as WILD ANIMUS, a multimedia spectacle commissioned by Too Far (San Francisco, CA) which toured to over 50 cities in Europe, US, Canada and Australia in 2006 and 2007. Original productions he created with WaxFactory were mentioned twice in Ballet-Tanz International performing arts journal (Berlin, Germany): in 2000 for LADYFROMTHESEA at the Old American Can Factory (Brooklyn, NY) as “the most innovative production of the year” and in 2007 for X: A VIDEO OPERA at the Zürcher Theaterspektakel (Zurich, Switzerland) as “the most important multidisciplinary collaboration of the year”. Some of his earlier directing credits include site-specific productions of Charles Mee’s THE BACCHAE and THE TROJAN WOMEN: A LOVE STORY; Heiner Müller’s MEDEAMATERIAL and HAMLETMACHINE; Fassbinder’s BREMEN FREEDOM and THE BITTER TEARS OF PETRA VON KANT; DON JUAN COMES BACK FROM THE WAR: a Little Dance of Death by Ödön von Horvath; THE TROJAN WOMEN, a collaboration with the playwright Ellen McLaughlin and a cast of refugees from the former Yugoslavia (Classic Stage Company); IPHIGENIA IN AULIS (Aaron Davis Hall,) and two shows for the Lincoln Center Theatre/Directors Lab, WOYZECK OF SARAJEVO and THE K’S (AN EPILOGUE) after Dostoyevski. While pursuing his Master of Fine Arts degree in directing from Columbia University’s School of the Arts in New York City, Ivan has assisted with Robert Wilson and Julie Taymor. He has taught and extensively in the United States and abroad including New York University, Brown University, Gulbenkian Foundation (Portugal), Fundateneo (Venezuela) and Columbia University/Barnard College. He was a recipient of a year-long Performing Arts Fellowship at Akademie Schloss Solitude in Germany, where he developed 39 FRAMES, subsequently presented as a highly innovative performance event, unfolding simultaneously on the Internet, television and in the public realm over a two-week period and in more than 30 locations throughout the city of Salzburg, Austria, commissioned by SommerSzene festival in 2006. Other residencies include Bogliasco Foundation (Genova, Italy), Emily Harvey Foundation (Venice, Italy), the Hermitage Artist Retreat (Manasota Key, FL), as well as HERE Artist in Residence Program (HARP) and Brooklyn Arts Exchange (BAX) in New York City. Ivan’s productions have been seen extensively in New York (Performance Space 122, New York Theater Workshop, Lincoln Center, Dixon Place, HERE, Brooklyn Arts Exchange, The Invisible Dog, Japan Society, Abrons Art Center, Incubator Arts Project, 3LD Art+Technology Center, PRELUDE and COIL Festivals, etc.) and internationally at numerous venues and festivals in 20+ countries and 4 continents, including ICA/Institute of Contemporary Art (London, UK), Gulbenkian Museum (Lisbon, Portugal), Sonar (Barcelona, Spain), Adelaide Festival (Australia), Cankarjev Dom (Ljubljana, Slovenia) and FIT/International Theater Festivas (Caracas, Venezuela), among others. Recently, his short film SLEEPWALKER was presented at Diane Pernet’s A Shaded View of Fashion Film Festival at the Centre Pompidou (Paris, France( and his first feature film 416 MINUTES is currently in post-production, slated for completion in 2018. Ivan is currently serving a three-year term as a panelist for the New York State Council on the Arts. 

waxfactory.nyc

Art Seed at Marble House Project

Csilla Thackray

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With her roots in Eastern European cooking and her Hungarian heritage, Csilla's approach to food is simplistic and seasonally driven. Her menu highlights many ingredients from local farms and co-ops around western PA. For Csilla, it's important to create a relationship between the farmers, the food and the consumer. 

www.thevandalpgh.com

Angel Torres

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AngelTorres pescado y flor de calabaza 2017 Robalo con flor de calabaza, quelites, y calabaza/ Sea bass with squash blossoms, quelites, and zucchini

I was born and grew up in Mexico City. My first interest was audiovisual communication. At age 17 I started college at the University of the Cloister of Sor Juana with the intent to study that, but when I discovered that my school offered professional training in culinary arts I shifted course and began to study Gastronomy. In particular I was attracted to how you can travel and meet people with cooking, because I have always been interested in the social space that is made during and after the daily act of sitting at a table and eating with others. In my culinary training, I was initially influenced by French cuisine. As I have grown in experience, I have found it more important to go back to my cultural roots, in particular a strong interest in mastering mestizo cuisine and pre-Hispanic culinary techniques specific to the region of Oaxaca. Since graduating from culinary school I have worked in both French and Mexican style kitchens, and have continued to personally pursue my interest in mestizo cooking. I see the kitchen as a form of expression not only of gustos or tastes but also as a form of visual expression through colors, textures, and sounds that fill the body and soul. For me, cooking has to do with transforming fresh ingredients and highlighting aspects with different culinary techniques. I am inspired by sustainability like is found in the agricultural system of chinampas that founded Mexico City, and the impact that food from the chinampas has had on the social and religious systems of people.

Patricia Watts

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The HighWaterLine ACTION GUIDE is based on a public art project addressing Climate Change by Eve Mosher. Presented by ecoartspace as part of an Art & Ecology Learning Guide Series addressing environmental issues through replicable social practice art projects. Funded in part by The Compton Foundation.

Patricia Watts is a pioneering curator who has worked for twenty-five years with artists who engage the natural world in their art. She has a visionary entrepreneurial approach to curating that supports transdisciplinary, collaborative environments. She is the founder and west coast curator of ecoartspace, a nonprofit platform for artists addressing environment issues since 1999. Watts has curated over thirty art and ecology exhibitions including: Contemplating Other (2017); Enchantment (2016); FiberSHED (2015); Shifting Baselines (2013) at Santa Fe Art Institute; MAKE:CRAFT (2010) at the Ben Maltz Gallery, Otis College of Art and Design, Los Angeles; ECOlogic (2009); and Hybrid Fields (2006) at the Sonoma County Museum, Santa Rosa, CA. She also curated and project managed a site-specific permanent public art installation entitled Cloud House (2016) by Matthew Mazzotta at Farmers Park in Springfield, Missouri. Since 2009, Watts has conducted two hour video interviews with pioneering ecological artists including Jackie Brookner, Buster Simpson, and Bonnie Sherk. She has also written Action Guides presenting replicable social practice projects by artists who work in the public sphere. Watts has a studio masters degree in Exhibition Design and Museum Studies Certificate. She enjoys curating and designing exhibitions that are spatially and visually engaging, and create a context for deep, compelling stories. Watts has an established voice as both a writer and a speaker, and has written numerous essays for publications and given dozens of lectures and panel talks internationally.

http://patriciawatts.blogspot.com

Katie Yun

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Natto, rice, quail egg, pickled radish, nest of green onion

Katie Yun is an artist and a chef whose work explores identity and its inherent politics. In 2017, she completed her BFA in Studio Art with a concentration in Printmaking from Washington University in St. Louis, along with a double major in Psychology and Brain Sciences. She was awarded the Eda L. and Clarence C. Cushing Memorial Prize in Painting in 2016 and the Peter Marcus Prize in Printmaking in 2017. Katie’s work has been shown in multiple galleries including the Des Lee Gallery, the Duet Gallery, and the Granite City Art and Design District Gallery in St. Louis. In the fall of 2016, Katie and Sachi Nagase founded the Sprouted Radish Supper Club, to create food experiences with roots in East-Asian cooking for diverse groups of people. The primary focus was to create an accessible dining experience– six courses for $12– and bring people from different communities together. Having fed over 200 people, Katie and Sachi create dishes around their need to rediscover the smells and tastes they have lost from their childhoods. Currently, Katie is based in Shelburne Falls, MA where she recently completed a printmaking apprenticeship with Wingate Studio in New Hampshire. She continues to host multi–course dinners which are "pay what you wish.” She will be working for Eleven Madison Park in NYC starting in the Spring of 2018.

www.katieyunart.com